The midseason shuffle: 4 shows to keep eye on

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5. Carrie that weight — The producers of “The Carrie Diaries” face a daunting challenge: How do you make a compelling contemporary teen drama without messing with our memories of a beloved character from TV’s past? The show is a “Sex and the City” prequel that focuses on a 16-year-old Carrie Bradshaw (AnnaSophia Robb), who after her mother dies, ditches suburban life in Connecticut for the glamor of Manhattan. Sounds like it could be fun, but then again this Carrie isn’t of legal drinking age, so hold the cosmos. (Premieres at 8 p.m. Jan. 14, The CW).

6. The last laugh for “30 Rock” — Three shows are bowing out this month, including “Fringe,” “Private Practice,” and, most notably, “30 Rock.” Even though it won three straight Emmys (2007-09) as TV’s best comedy, it’s been easy to take Tina Fey’s madcap sitcom for granted. But in its highly enjoyable seventh and final season, the show has been at the top of its game, which makes it even more difficult to say goodbye. (“30 Rock” series finale is at 8 p.m. Jan. 31, NBC).

7. But can it be a smash? — The ambitious musical drama “Smash” burst into prime time last winter with a great pilot and even greater expectations. Some even saw it as the show that would save beleaguered NBC. But it became a creative mess — one that viewers loved to hate. Now comes a major reboot, complete with a new executive producer, new faces (hello, Jennifer Hudson), and new, supposedly “cooler” music. Best of all, the supporting characters that annoyed us most are gone: Good riddance, Ellis. (“Smash” returns at 9 p.m. Feb. 5, NBC).

8. Felicity becomes a spy — Several familiar stars will pop up in new roles, including Anthony Edwards, Jenna Elfman, Sarah Chalke and Brad Garrett. But we’re mainly excited to see Keri Russell in “The Americans.” Boasting one of the winter’s most intriguing premises, it’s a Cold War-era saga about two KGB agents (Russell and Matthew Rhys) posing as an American couple in suburban Washington D.C. Let’s just hope viewers pay more attention to Russell’s spy work than her hairstyle. (Premieres at 10 p.m. Jan. 30, FX).

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